This year, our teams have collaborated on five films eligible for the 2026 César Award for Best Visual Effects:

Chasse Gardée 2, directed by Antonin Fourlon and Frédéric Forestier, with VFX supervision by Arnaud Fouquet;

Dracula, directed by Luc Besson, with VFX supervision by Laurent Creusot;

L’Inconnu de la Grande Arche, directed by Stéphane Demoustier, with supervision by Lise Fischer;

La Venue de La Venir, directed by Cédric Klapisch, supervised by Cédric Fayolle (with Hugues Namur and Sebastien Fauchere, MPC VFX Supervisors);

And Valensole 1965, directed by Dominique Filhol, with VFX supervision by Jean-Philippe Leclercq and Hugues Namur.

Each project demonstrates the commitment of our teams to support directors in bringing their stories to life through post-production imagery.

Since its creation, the César for Best Visual Effects has often recognized films where MPC Paris contributed, including Guillaume Pondard for Annette (2022), Laurens Ehrmann for Notre-Dame brûle (2023, MPC VFX supervised by Hugues Namur), Cyrille Bonjean, Bruno Sommier, and Jean-Louis Autret for Le Règne animal (2024), and Cédric Fayolle for Emilia Pérez (2025, MPC VFX supervised by Rodolphe Zirah).

We are honored to have been part of these exceptional projects and invite audiences and members of the Académie to discover the work of our VFX teams. Every vote and recognition helps highlight the creativity, precision, and passion that go into making French cinema visually compelling.

For more information on the César Award for Best Visual Effects, please visit the official site of the Académie des arts et techniques du cinéma.