Director Andreï Zviaguintsev and production CG Cinema were awarded the Grand Prix for Minotaure. MPC Paris was proud to support the film through its image post-production work, led by Alison Wightman and Thomas Jodeau. We would also like to thank Eugénie Deplus, the film’s post-producer, for her trust and continued collaboration throughout the project.

Our color scientist Florine Bel collaborated closely with cinematographer Mikhail Krichman and colorist Veronica Tiron to help shape the film’s visual identity, while our teams also contributed to the visual effects, produced by Loriane Lucas for MPC Paris.

The festival also celebrated Sarah Arnold, whose debut feature Too Many Beasts (L’Espèce explosive) received the Europa Cinemas Label for Best European Film in the Quinzaine des Cinéastes section. Praised by the jury for its originality, genre-blending storytelling and emotional depth, the film stood out as one of the most talked-about discoveries of this year’s festival.

MPC Paris teams were proud to contribute to the project by delivering 35 visual effects shots, including CG animal creation, supporting the storytelling and enriching the film’s world through post-production image work. The visual effects were supervised by Laurent Creusot and produced by Loriane Lucas, with Hélène Vanovre serving as Executive Producer for MPC Paris.

We warmly congratulate Andreï Zviaguintsev, Sarah Arnold, their producers and creative teams on these remarkable achievements. Supporting bold and singular filmmaking voices remains at the heart of what we do, and we are honoured to have collaborated on these award-winning projects showcased at Cannes this year.